Blockbusters in Bangkok: Hollywood mogul signs contract with Thai film studio


One of Hollywood’s largest talent agencies, Agency for the Performing Arts (APA), recently signed a contract with The Studio Park to use the latter’s relatively new and state-of-the-art film production facilities in the suburbs of Bangkok. for upcoming film productions. .

APA represents some of the biggest names in Hollywood and the UK, from actors and directors to production companies and studios. Managing Director Andy Weltman traveled to Bangkok in late May to finalize the deal with the Thai studio, with assurances that Thailand would be the location for the agency’s Hollywood film projects in the near future, Pracharchart reported.

While he declined to reveal more details, the fact that APA’s previous client was Pinewood Studios – which brought us iconic films like the Harry potter and James bond series – is quite convincing.

The deal with APA is another major development for the Thai film industry, as it promises to shoot more Hollywood films in the country. The Studio Park facility, which opened in 2016, comes at just the right time, riding the wave of the country’s growing success in producing small and medium-sized feature films: Variety reported that film shoots in Thailand have increased 60% last year since the launch of a greater incentive to repay for productions made in the country.

Photo: Le Parc des Studios
Photo: Le Parc des Studios

Extending over more than 2,400 m². in the province of Samutprakarn, Studio Park presents itself as a fully integrated studio for international productions. The studio includes various movie sets, a sound stage, a backlot for outdoor shoots and rental services of equipment, props, and all other movie making nuts and bolts. Previously, the studio was the location for popular reality TV shows such as The face Thailand and MasterChef Thailand.

Its parent company, Matching Maximize Solution Plc., Has invested a considerable sum of US $ 158 million (approximately THB 5 billion) in hopes of turning commercial ownership into “centerpiece of the cinema metropolis”.

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